If Dubai is a city built to be admired, a helicopter tour is the way it was meant to be seen. The moment the rotors spool up and the skids lift, the city's geometry snaps into focus: straight lines give way to sweeping arcs of coast, glass towers become glinting chess pieces, and reclaimed islands bloom like sketches made permanent on a sapphire canvas. Helicopter tour Dubai aerial sightseeing isn't just a thrill; it's a perspective shift. From above, the emirate tells its story all at once.
Within minutes, the Burj Khalifa appears less like a building and more like a compass needle presiding over the grid of Sheikh Zayed Road. Helicopter tour Dubai coastline The sun cuts hard edges into the towers around it, casting shadows that drift like time itself across the desert's edge. Swinging south, the Burj Al Arab emerges, improbably delicate, a sail frozen mid-curve. The helicopter banks and the shoreline unfurls in a sweep of beaches, piers, and marinas; the water here is so clear on bright days that boats seem to hover as if pinned to the sea by their own shadows.
Then comes the moment every passenger waits for: The Palm Jumeirah reveals its perfect symmetry. From the ground, it's a neighborhood; from the air, it's an idea realized-fronds and trunk bristling with villas, hotels, and promenades that have no business existing anywhere but here. You trace its outline with your eyes from breakwater to Atlantis, noticing details that make no sense from street level: the subtleties of wave patterns against the crescent, the geometry of swimming pools like turquoise coins. Beyond it, scattered like a cartographer's whim, the World Islands sit in pale green water, a reminder of how far human ambition has pushed the shoreline outward.
Most routes carry you along Dubai Marina, where towers cluster like reeds, and then pivot toward the Creek. Here the city's dual identity comes into focus. On one side, the old port's bustle: abras transporting commuters, dhows stacked with cargo, the scent of spice markets drifting inland. On the other, the new skyline-the arts district, polished avenues, glass reflected in glass. That contrast is the thrill of the city, and the helicopter simply stitches the scenes together into one continuous panorama. On the clearest days, you can see the desert gathering itself just beyond the last interchange, dunes rolling toward an uninterrupted horizon.
Practicalities shape the experience without stealing the magic. Flights come in three main flavors: quick scenic hops that skim the highlights, mid-length routes that add depth and range, and extended circuits that sweep from coast to city to desert before circling home. If you're choosing when to fly, the golden hours are worth the effort. Early morning brings calmer air, fewer heat ripples, and a gentler, pearly light; late afternoon trades that softness for drama-long shadows carving dimension into the skyline and the Gulf catching fire as the sun drops.
Helicopter tours are meticulously choreographed. Helicopter tour Dubai city sightseeing . Before boarding, there's a safety briefing, weight and ID checks, and seat assignments designed to balance the aircraft. Pilots narrate with the ease of practiced hosts, pointing out landmarks while keeping a steady, unhurried pace that lets the view unspool. Noise-canceling headsets make conversation easy, and big bubble windows mean even middle seats get a strong view.
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Ain Dubai helicopter tour Dress simply-closed shoes, secure anything that dangles-and bring sunglasses; the light off the water can be dazzling.
If photography is your goal, plan for reflections and motion. Wear dark clothing to minimize window glare, seat your camera close to the glass, and avoid pressing the lens hard against it to prevent vibration blur. A fast shutter speed keeps images crisp, and a circular polarizing filter can deepen the Gulf's blue and cut shine on rooftops-though filters aren't essential if you want to travel light. Most operators restrict lens changes during flight, so pick a versatile zoom and stick with it. Then put the camera down for a few minutes. The best memory might not be the photo; it might be the feeling of the city passing beneath you like a living map.
Choosing the right operator is often a matter of priorities. Look for clear route maps, transparent cancellation policies, and aircraft maintained to rigorous standards. Decide whether you want a shared cabin for a social vibe or a private charter for a proposal, a special occasion, or the freedom to customize your path. Prices vary with duration and exclusivity, but value can be measured in more than minutes: narration quality, smoother scheduling, and well-timed routes can elevate a good flight to an unforgettable one.
There are thoughtful touches that make the experience kinder to yourself and to the place you're visiting. If you're prone to motion sensitivity, take a preventive step, ask to face forward, and keep your gaze on the horizon during turns. If you care about impact, choose operators that invest in modern, efficient fleets and offer carbon offset options. And if accessibility is a concern, ask in advance about boarding assistance, age and weight limits, and seat configurations; teams are practiced at accommodating a wide range of guests whenever possible.
What lingers after landing is the way the city rearranges itself in your mind.
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From the ground, Dubai can feel like a series of set pieces: a beach here, a tower there, a restaurant tucked into a mall, an old souk across town. From the air, those pieces connect. You see the logic of the coastline, the audacity of the islands, the old trade routes hugging the Creek, the new arterial roads reaching out to fresh districts. You see, too, the way desert and sea press up against the human urge to design, to build, to imagine.
Helicopter tour Dubai aerial sightseeing is a mouthful of a phrase for what is, in the end, a simple proposition: climb, look, remember. It's fifteen, twenty, thirty minutes in which distance collapses and the city becomes legible. Back on the helipad, the blades slow and the heat rises again from the asphalt, but the map you carry in your head is forever changed. The next time you cross a bridge or turn onto a boulevard, you'll know exactly how the line you're traveling looks from above-and that is a rare and lovely way to belong, even briefly, to a place.
About Aerial photography
Taking images of the ground from the air
An aerial photograph using a drone of Westerheversand Lighthouse, GermanyAerial view of a swimming pool complexAn aerial photograph taken using a drone of the Vistula, a river in PolandAn aerial view of the city of Pori, FinlandAir photo of a military target used to evaluate the effect of bombing
Aerial photography (or airborne imagery) is the taking of photographs from an aircraft or other airborne platforms.[1] When taking motion pictures, it is also known as aerial videography.
Platforms for aerial photography include fixed-wing aircraft, helicopters, unmanned aerial vehicles (UAVs or "drones"), balloons, blimps and dirigibles, rockets, pigeons, kites, or using action cameras while skydiving or wingsuiting. Handheld cameras may be manually operated by the photographer, while mounted cameras are usually remotely operated or triggered automatically.
Hraunfossar, Iceland captured by a drone-camera[2]
Aerial photography typically refers specifically to bird's-eye view images that focus on landscapes and surface objects, and should not be confused with air-to-air photography, where one or more aircraft are used as chase planes that "chase" and photograph other aircraft in flight. Elevated photography can also produce bird's-eye images closely resembling aerial photography (despite not actually being aerial shots) when telephotoing from high vantage structures, suspended on cables (e.g. Skycam) or on top of very tall poles that are either handheld (e.g. monopods and selfie sticks), fixed firmly to the ground (e.g. surveillance cameras and crane shots) or mounted above vehicles.
History
[edit]
See also: Aerial reconnaissance § History
This section duplicates the scope of other articles, specifically Aerial reconnaissance#History. Please discuss this issue and help introduce a summary style to the section by replacing the section with a link and a summary or by splitting the content into a new article.(October 2020)
Early
[edit]
Honoré Daumier, "Nadar élevant la Photographie à la hauteur de l'Art" (Nadar elevating Photography to Art), published in Le Boulevard, May 25, 1862
Aerial photography was first practiced by the French photographer and balloonist Gaspard-Félix Tournachon, known as "Nadar", in 1858 over Paris, France.[3] However, the photographs he produced no longer exist and therefore the earliest surviving aerial photograph is titled 'Boston, as the Eagle and the Wild Goose See It.' Taken by James Wallace Black and Samuel Archer King on October 13, 1860, it depicts Boston from a height of 630m.[4][5]
Equipment Used to Make High-Altitude Photographs (1924)Aerial view by Cecil Shadbolt, showing Stonebridge Road, Stamford Hill, and Seven Sisters Curve, part of the Tottenham and Hampstead Junction Railway, taken from 2,000 feet (610 m) on 29 May 1882 – the earliest extant aerial photograph taken in the British Isles
Kite aerial photography was pioneered by British meteorologist E.D. Archibald in 1882. He used an explosive charge on a timer to take photographs from the air.[6] The same year, Cecil Shadbolt devised a method of taking photographs from the basket of a gas balloon, including shots looking vertically downwards.[7][8] One of his images, taken from 2,000 feet (610 m) over Stamford Hill, is the earliest extant aerial photograph taken in the British Isles.[7] A print of the same image, An Instantaneous Map Photograph taken from the Car of a Balloon, 2,000 feet high, was shown at the 1882 Photographic Society exhibition.[8]
Frenchman Arthur Batut began using kites for photography in 1888, and wrote a book on his methods in 1890.[9][10] Samuel Franklin Cody developed his advanced 'Man-lifter War Kite' and succeeded in interesting the British War Office with its capabilities.
Antique postcard from Grand Rapids, Michigan, using kite photo technique (c. 1911)
In 1908, Albert Samama Chikly filmed the first ever aerial views using a balloon between Hammam-Lif and Grombalia.[11] The first use of a motion picture camera mounted to a heavier-than-air aircraft took place on April 24, 1909, over Rome in the 3:28 silent film short, Wilbur Wright und seine Flugmaschine.
World War I
[edit]
Giza pyramid complex, photographed from Eduard Spelterini's balloon on November 21, 1904
The use of aerial photography rapidly matured during the war, as reconnaissance aircraft were equipped with cameras to record enemy movements and defenses. At the start of the conflict, the usefulness of aerial photography was not fully appreciated, with reconnaissance being accomplished with map sketching from the air.
Germany adopted the first aerial camera, a Görz, in 1913. The French began the war with several squadrons of Blériot observation aircraft equipped with cameras for reconnaissance. The French Army developed procedures for getting prints into the hands of field commanders in record time.
Frederick Charles Victor Laws started aerial photography experiments in 1912 with No.1 Squadron of the Royal Flying Corps (later No. 1 Squadron RAF), taking photographs from the British dirigible Beta. He discovered that vertical photos taken with a 60% overlap could be used to create a stereoscopic effect when viewed in a stereoscope, thus creating a perception of depth that could aid in cartography and in intelligence derived from aerial images. The Royal Flying Corps recon pilots began to use cameras for recording their observations in 1914 and by the Battle of Neuve Chapelle in 1915, the entire system of German trenches was being photographed.[12] In 1916, the Austro-Hungarian Monarchy made vertical camera axis aerial photos above Italy for map-making.
The first purpose-built and practical aerial camera was invented by Captain John Moore-Brabazon in 1915 with the help of the Thornton-Pickard company, greatly enhancing the efficiency of aerial photography. The camera was inserted into the floor of the aircraft and could be triggered by the pilot at intervals. Moore-Brabazon also pioneered the incorporation of stereoscopic techniques into aerial photography, allowing the height of objects on the landscape to be discerned by comparing photographs taken at different angles.[13][14]
By the end of the war, aerial cameras had dramatically increased in size and focal power and were used increasingly frequently as they proved their pivotal military worth; by 1918, both sides were photographing the entire front twice a day and had taken over half a million photos since the beginning of the conflict. In January 1918, General Allenby used five Australian pilots from No. 1 Squadron AFC to photograph a 624 square miles (1,620 km2) area in Palestine as an aid to correcting and improving maps of the Turkish front. This was a pioneering use of aerial photography as an aid for cartography. Lieutenants Leonard Taplin, Allan Runciman Brown, H. L. Fraser, Edward Patrick Kenny, and L. W. Rogers photographed a block of land stretching from the Turkish front lines 32 miles (51 km) deep into their rear areas. Beginning 5 January, they flew with a fighter escort to ward off enemy fighters. Using Royal Aircraft Factory BE.12 and Martinsyde airplanes, they not only overcame enemy air attacks, but also had to contend with 65 mph (105 km/h) winds, antiaircraft fire, and malfunctioning equipment to complete their task.[15]
Commercial
[edit]
New York City in 1932, aerial photograph of Fairchild Aerial Surveys IncMilton Kent with his aerial camera, June 1953, Milton Kent Studio, Sydney
The first commercial aerial photography company in the UK was Aerofilms Ltd, founded by World War I veterans Francis Wills and Claude Graham White in 1919. The company soon expanded into a business with major contracts in Africa and Asia as well as in the UK. Operations began from the Stag Lane Aerodrome at Edgware, using the aircraft of the London Flying School. Subsequently, the Aircraft Manufacturing Company (later the De Havilland Aircraft Company), hired an Airco DH.9 along with pilot entrepreneur Alan Cobham.[16]
From 1921, Aerofilms carried out vertical photography for survey and mapping purposes. During the 1930s, the company pioneered the science of photogrammetry (mapping from aerial photographs), with the Ordnance Survey amongst the company's clients.[17] In 1920, the Australian Milton Kent started using a half-plate oblique aero camera purchased from Carl Zeiss AG in his aerial photographic business.[18]
Another successful pioneer of the commercial use of aerial photography was the American Sherman Fairchild who started with his own aircraft firm Fairchild Aircraft to develop and build specialized aircraft for high altitude aerial survey missions.[19] One Fairchild aerial survey aircraft in 1935 carried a unit that combined two synchronized cameras. Utilizing two units of ten lenses each with a ten-inch lens, the aircraft took photos from 23,000 feet. Each photo covered two hundred and twenty-five square miles. One of its first government contracts was an aerial survey of New Mexico to study soil erosion.[20] A year later, Fairchild introduced a better high altitude camera with a nine-lens in one unit that could take a photo covering 600 square miles with each exposure from 30,000 feet.[21]
World War II
[edit]
Sidney Cotton's Lockheed 12A, in which he made a high-speed reconnaissance flight in 1940
In 1939, Sidney Cotton and Flying Officer Maurice Longbottom of the RAF were among the first to suggest that airborne reconnaissance may be a task better suited to fast, small aircraft which would use their speed and high service ceiling to avoid detection and interception. Although this seems obvious now, with modern reconnaissance tasks performed by fast, high flying aircraft, at the time it was radical thinking.[citation needed]
They proposed the use of Spitfires with their armament and radios removed and replaced with extra fuel and cameras. This led to the development of the Spitfire PR variants. Spitfires proved to be extremely successful in their reconnaissance role and there were many variants built specifically for that purpose. They served initially with what later became No. 1 Photographic Reconnaissance Unit (PRU). In 1928, the RAF developed an electric heating system for the aerial camera. This allowed reconnaissance aircraft to take pictures from very high altitudes without the camera parts freezing.[22] Based at RAF Medmenham, the collection and interpretation of such photographs became a considerable enterprise.[23]
Cotton's aerial photographs were far ahead of their time. Together with other members of the 1 PRU, he pioneered the techniques of high-altitude, high-speed stereoscopic photography that were instrumental in revealing the locations of many crucial military and intelligence targets. According to R.V. Jones, photographs were used to establish the size and the characteristic launching mechanisms for both the V-1 flying bomb and the V-2 rocket. Cotton also worked on ideas such as a prototype specialist reconnaissance aircraft and further refinements of photographic equipment. At the peak, the British flew over 100 reconnaissance flights a day, yielding 50,000 images per day to interpret. Similar efforts were taken by other countries.[citation needed]
While stationed on an aircraft carrier in Imperial Japan, FS Hussain, a pilot in the Royal Indian Air Force, was tasked with photographing the aftermath of the Atomic bombings of Hiroshima and Nagasaki.[24] Unaware of the risks of exposure to radiation, it led to his death in 1969 at the age of 44.[25]
Uses
[edit]
Vertical aerial photography is used in cartography[26] (particularly in photogrammetric surveys, which are often the basis for topographic maps[27][28]), land-use planning,[26] aerial archaeology.[26] Oblique aerial photography is used for movie production, environmental studies,[29] power line inspection,[30] surveillance, construction progress, commercial advertising, conveyancing, and artistic projects. An example of how aerial photography is used in the field of archaeology is the mapping project done at the site Angkor Borei in Cambodia from 1995 to 1996. Using aerial photography, archaeologists were able to identify archaeological features, including 112 water features (reservoirs, artificially constructed pools and natural ponds) within the walled site of Angkor Borei.[31] In the United States, aerial photographs are used in many Phase I Environmental Site Assessments for property analysis.
Aircraft
[edit]
In the United States, except when necessary for take-off and landing, full-sized manned aircraft are prohibited from flying at altitudes under 1000 feet over congested areas and not closer than 500 feet from any person, vessel, vehicle or structure over non-congested areas. Certain exceptions are allowed for helicopters, powered parachutes and weight-shift-control aircraft.[32]
Radio-controlled
[edit]
Advancements in drone technology have allowed aerial photographs to be taken by quadcopter drones, such as this DJI Mavic Pro.
Advances in radio controlled models have made it possible for model aircraft to conduct low-altitude aerial photography. This had benefited real-estate advertising, where commercial and residential properties are the photographic subject. In 2014, the US Federal Aviation Administration banned the use of drones for photographs in real estate advertisements.[33] The ban has been lifted and commercial aerial photography using drones of UAS is regulated under the FAA Reauthorization Act of 2018.[34][35] Commercial pilots have to complete the requirements for a Part 107 license,[36] while amateur and non-commercial use is restricted by the FAA.[37]
Small scale model aircraft offer increased photographic access to these previously restricted areas. Miniature vehicles do not replace full-size aircraft, as full-size aircraft are capable of longer flight times, higher altitudes, and greater equipment payloads. They are, however, useful in any situation in which a full-scale aircraft would be dangerous to operate. Examples would include the inspection of transformers atop power transmission lines and slow, low-level flight over agricultural fields, both of which can be accomplished by a large-scale radio-controlled helicopter. Professional-grade, gyroscopically stabilized camera platforms are available for use under such a model; a large model helicopter with a 26cc gasoline engine can hoist a payload of approximately seven kilograms (15 pounds). One example is the radio controlled Nitrohawk helicopter developed by Robert Channon between 1988 and 1998.[38] In addition to gyroscopically stabilized footage, the use of RC copters as reliable aerial photography tools increased with the integration of FPV (first-person-view) technology. Many radio-controlled aircraft, in particular drones, are now capable of utilizing Wi-Fi to stream live video from the aircraft's camera back to the pilot's or pilot in command's (PIC) ground station.[39]
Regulations
[edit]
See also: Regulation of unmanned aerial vehicles
Australia
[edit]
In Australia, Civil Aviation Safety Regulation Part 101 (CASR Part 101)[40] allows for commercial use of unmanned and remotely piloted aircraft. Under these regulations, unmanned remotely piloted aircraft for commercial are referred to as Remotely Piloted Aircraft Systems (RPAS), whereas radio-controlled aircraft for recreational purposes are referred to as model aircraft. Under CASR Part 101, businesses/persons operating remotely piloted aircraft commercially are required to hold an operator certificate, just like manned aircraft operators. Pilots of remotely piloted aircraft operating commercially are also required to be licensed by the Civil Aviation Safety Authority (CASA).[41] While a small RPAS and model aircraft may actually be identical, unlike model aircraft, a RPAS may enter controlled airspace with approval, and operate close to an aerodrome.
Due to a number of illegal operators in Australia, making false claims of being approved, CASA maintains and publishes a list of approved remote operator's certificate (ReOC) holders.[42] However, CASA has modified the regulations and from September 29, 2016, drones under 2 kg (4.4 lb) may be operated for commercial purposes.[43]
United States
[edit]
2006 FAA regulations grounding all commercial RC model flights have been upgraded to require formal FAA certification before permission is granted to fly at any altitude in the US.
On June 25, 2014, the FAA, in ruling 14 CFR Part 91 [Docket No. FAA–2014–0396] "Interpretation of the Special Rule for Model Aircraft", banned the commercial use of unmanned aircraft over U.S. airspace.[44] On September 26, 2014, the FAA began granting the right to use drones in aerial filmmaking. Operators are required to be licensed pilots and must keep the drone in view at all times. Drones cannot be used to film in areas where people might be put at risk.[45]
The FAA Modernization and Reform Act of 2012 established, in Section 336, a special rule for model aircraft. In Section 336, Congress confirmed the FAA's long-standing position that model aircraft are aircraft. Under the terms of the Act, a model aircraft is defined as "an unmanned aircraft" that is "(1) capable of sustained flight in the atmosphere; (2) flown within visual line of sight of the person operating the aircraft; and (3) flown for hobby or recreational purposes."[46]
Because anything capable of being viewed from a public space is considered outside the realm of privacy in the United States, aerial photography may legally document features and occurrences on private property.[47]
The FAA can pursue enforcement action against persons operating model aircraft who endanger the safety of the national airspace system: Public Law 112–95, section 336(b).[33]
On June 21, 2016, the FAA released its summary of small unmanned aircraft rules (Part 107). The rules established guidelines for small UAS operators including operating only during the daytime, a 400 ft (120 m). ceiling and pilots must keep the UAS in visual range.[48]
On April 7, 2017, the FAA announced special security instructions under 14 CFR § 99.7. Effective April 14, 2017, all UAS flights within 400 feet of the lateral boundaries of U.S. military installations are prohibited unless a special permit is secured from the base and/or the FAA.[49]
United Kingdom
[edit]
Aerial photography in the UK has tight regulations as to where a drone is able to fly.[50]
Aerial Photography on Light aircraft under 20 kg (44 lb). Basic Rules for non commercial flying Of a SUA (Small Unmanned Aircraft).
Article 241 Endangering safety of any person or property states that a person must not recklessly or negligently cause or permit an aircraft to endanger any person or property.
Article 94 mentions the following about small unmanned aircraft:
A person must not cause or permit any article or animal (whether or not attached to a parachute) to be dropped from a small unmanned aircraft so as to endanger persons or property.
The person in charge of a small unmanned aircraft may only fly the aircraft if reasonably satisfied that the flight can safely be made.
The person in charge of a small unmanned aircraft must maintain direct, unaided visual contact with the aircraft sufficient to monitor its flight path in relation to other aircraft, persons, vehicles, vessels and structures for the purpose of avoiding collisions. (500 m (1,600 ft))
The person in charge of a small unmanned aircraft which has a mass of more than 7 kg (15 lb) excluding its fuel but including any articles or equipment installed in or attached to the aircraft at the commencement of its flight, must not fly the aircraft:
In Class A, C, D or E airspace unless the permission of the appropriate air traffic control unit has been obtained;
Within an aerodrome traffic zone during the notified hours of watch of the air traffic control unit (if any) at that aerodrome unless the permission of any such air traffic control unit has been obtained;
At a height of more than 400 feet above the surface
The person in charge of a small unmanned aircraft must not fly the aircraft for the purposes of commercial operations except in accordance with a permission granted by the CAA.
Article 95 has the following to say about small unmanned surveillance aircraft:
You Must not fly your aircraft over or within 150 metres of any congested Area.
Over or within 150 m (490 ft) of an organised open-air assembly of more than 1,000 persons.
Within 50 m (160 ft) of any vessel, vehicle or structure which is not under the control of the person in charge of the aircraft.
Within 50 m of any person, during take-off or landing, a small unmanned surveillance aircraft must not be flown within 30 m (98 ft) of any person. This does not apply to the person in charge of the small unmanned surveillance aircraft or a person under the control of the person in charge of the aircraft.
Model aircraft with a mass of more than 20 kg are termed 'Large Model Aircraft' – within the UK, large model aircraft may only be flown in accordance with an exemption from the ANO, which must be issued by the CAA.
Types
[edit]
Oblique
[edit]
Oblique Aerial Photo
Photographs taken at an angle are called oblique photographs. If they are taken from a low angle relative to the earth's surface, they are called low oblique and photographs taken from a high angle are called high or steep oblique.[51]
An aerial photographer prepares continuous oblique shooting in a Cessna 206
Vertical (Nadir)
[edit]
Vertical Orientation Aerial Photo
Vertical photographs are taken straight down.[52] They are mainly used in photogrammetry and image interpretation. Pictures that will be used in photogrammetry are traditionally taken with special large format cameras with calibrated and documented geometric properties.
A vertical still from a kite aerial thermal video of part of a former brickworks site captured at night. http://www.armadale.org.uk/aerialthermography.htm
Combined
[edit]
Aerial photographs are often combined. Depending on their purpose, it can be done in several ways, of which a few are listed below.
Panoramas can be made by stitching several photographs taken in different angles from one spot (e.g. with a hand held camera) or from different spots at the same angle (e.g. from a plane).
Stereo photography techniques allow for the creation of 3D-images from several photographs of the same area taken from different spots.
In pictometry, five rigidly mounted cameras provide one vertical and four low oblique pictures that can be used together.
In some digital cameras, for aerial photogrammetry images from several imaging elements, sometimes with separate lenses, are geometrically corrected and combined to one image in the camera.
Orthophotomap
[edit]
Vertical photographs are often used to create orthophotos, alternatively known as orthophotomaps, photographs which have been geometrically "corrected" so as to be usable as a map. In other words, an orthophoto is a simulation of a photograph taken from an infinite distance, looking straight down to nadir. Perspective must obviously be removed, but variations in terrain should also be corrected for. Multiple geometric transformations are applied to the image, depending on the perspective and terrain corrections required on a particular part of the image.
Orthophotos are commonly used in geographic information systems, such as are used by mapping agencies (e.g. Ordnance Survey) to create maps. Once the images have been aligned, or "registered", with known real-world coordinates, they can be widely deployed.
Large sets of orthophotos, typically derived from multiple sources and divided into "tiles" (each typically 256 x 256 pixels in size), are widely used in online map systems such as Google Maps. OpenStreetMap offers the use of similar orthophotos for deriving new map data. Google Earth overlays orthophotos or satellite imagery onto a digital elevation model to simulate 3D landscapes.
Leaf-off or leaf-on
[edit]
Aerial photography may be labeled as either "leaf-off" or on "leaf-on" to indicate whether deciduous foliage is in the photograph. Leaf-off photographs show less foliage or no foliage at all, and are used to see the ground and things on the ground more closely. Leaf-on photographs are used to measure crop health and yield. For forestry purposes, some species of trees are easier to distinguish from other kinds of trees with leaf-off photography, while other species are easier to distinguish with leaf-on photography.[53]
Video
[edit]
The Cliffs of Moher, filmed with a drone (2014)
With advancements in video technology, aerial video is becoming more popular. Orthogonal video is shot from aircraft mapping pipelines, crop fields, and other points of interest. Using GPS, video may be embedded with meta data and later synced with a video mapping program.
This "Spatial Multimedia" is the timely union of digital media including still photography, motion video, stereo, panoramic imagery sets, immersive media constructs, audio, and other data with location and date-time information from the GPS and other location designs.
Aerial videos are emerging Spatial Multimedia which can be used for scene understanding and object tracking. The input video is captured by low flying aerial platforms and typically consists of strong parallax from non-ground-plane structures. The integration of digital video, global positioning systems (GPS) and automated image processing will improve the accuracy and cost-effectiveness of data collection and reduction. Several different aerial platforms are under investigation for the data collection.
In film production, it is common to use a unmanned aerial vehicle with a mounted cine camera.[54] For example, the AERIGON cinema drone is used for low aerial shots in big blockbuster movies.[55]
Wikipedia category for articles on aerial photographers
References
[edit]
^
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^ abc"Aerial Photography and Remote Sensing". University of Colorado Boulder. 2011. Archived from the original on October 30, 2014. Retrieved March 25, 2011.
^Mills, J.P.; et al. (1997). "Photogrammetry from Archived Digital Imagery for Seal Monitoring". The Photogrammetric Record. 15 (89): 715–724. Bibcode:1997PgRec..15..715M. doi:10.1111/0031-868X.00080. S2CID 140189982.
^Twiss, S.D.; et al. (2001). "Topographic spatial characterisation of grey seal Halichoerus grypus breeding habitat at a sub-seal size spatial grain". Ecography. 24 (3): 257–266. doi:10.1111/j.1600-0587.2001.tb00198.x.
^Stewart, J.E.; et al. (2014). "Finescale ecological niche modeling provides evidence that lactating gray seals (Halichoerus grypus) prefer access to fresh water in order to drink" (PDF). Marine Mammal Science. 30 (4): 1456–1472. Bibcode:2014MMamS..30.1456S. doi:10.1111/mms.12126.
^Yan, Guangjian; Li, Chaoyang; Zhou, Guoqing; Zhang, Wuming; Li, Xiaowen (2007). "Automatic Extraction of Power Lines from Aerial Images". IEEE Geoscience and Remote Sensing Letters. 4 (3): 387–391. Bibcode:2007IGRSL...4..387Y. doi:10.1109/LGRS.2007.895714. S2CID 33499293.
^Stark, M. T., Griffin, P., Phoeurn, C., Ledgerwood, J., Dega, M., Mortland, C., ... & Latinis, K. (1999). Results of the 1995–1996 archaeological field investigations at Angkor Borei, Cambodia. Asian Perspectives 38(1)
^United States Federal Aviation Regulations FAR part 91 section 119(14CFR91.119)
^ abFederal register
^Guthrie, Brett (2018-10-05). "Text - H.R.302 – 115th Congress (2017–2018): FAA Reauthorization Act of 2018". www.congress.gov. Retrieved 2019-06-23.
^Chavers, Marcus (2018-10-04). "Drone Enthusiasts and Industry Await FAA Reauthorization Act". News Ledge. Retrieved 2019-06-23.
^"Certificated Remote Pilots including Commercial Operators". www.faa.gov. Retrieved 2019-06-23.
^Steve Hynes (October 1994). "Eye in the Sky". Professional Photographer. pp. 53–56.
^"Understanding how your drone is controlled". Retrieved 27 March 2023.
^"Civil Aviation Safety Regulations 1998". Australian Civil Aviation Safety Authority. December 19, 2002. Retrieved January 24, 2013.
^"Civil Aviation Safety Authority". Australian Civil Aviation Safety Authority. December 19, 2002. Retrieved January 24, 2013.
^"List of UAS Operator Certificate Holders". Australian Civil Aviation Safety Authority. Retrieved January 24, 2013.
^"Part 101 Amendments – Cutting red tape for remotely piloted aircraft". CASA. 2016. Retrieved October 5, 2016.
^Huerta, Michael P. (18 June 2014). "Interpretation of the Special Rule for Model Aircraft" (PDF). FAA. Retrieved 5 October 2016.
^"U.S. Transportation Secretary Foxx Announces FAA Exemptions for Commercial UAS Movie and TV Production". Press Release. FAA. 25 September 2014. Retrieved 4 October 2014.
^Public Law 112–95, section 336(c).
^California v. Ciraolo, 476 U.S. 206 (1986)
^"SUMMARY OF SMALL UNMANNED AIRCRAFT RULE (PART 107)" (PDF). FAA. Retrieved 21 June 2016.
^"Security Sensitive Airspace Restrictions". FAA. Retrieved April 7, 2017.
^"UK Drone law". Aerial Republic. 24 March 2017. Retrieved May 17, 2017.
^"Lecture 6.1: Classification of Photographs". The Remote Sensing Core Curriculum. University of Maryland, Baltimore County. 1999. Retrieved 2011-03-25.
^Short, Nicholas (2010-04-28). "Elements of Aerial Photography". Remote Sensing Tutorial Page 10-1. NASA. Archived from the original on March 17, 2011. Retrieved 2011-03-25.
^What is the difference between leaf-on and leaf-off imagery?, MapaSyst, Extension Foundation, August 21, 2019
^Mademlis, Ioannis; Nikolaidis, Nikos; Tefas, Anastasios; Pitas, Ioannis; Tilman, Wagner; Messina, Alberto (2019). "Autonomous UAV cinematography: A tutorial and a formalized shot-type taxonomy". ACM Computing Surveys. 52 (5). New York, NY: ACM: 1–33. doi:10.1145/3347713. S2CID 202676119.
^"AERIGON cinema drone (UAV) pioneering in film production". Archived from the original on 26 August 2021. Retrieved 23 March 2023.
Further reading
[edit]
Price, Alfred (2003). Targeting the Reich: Allied Photographic Reconnaissance over Europe, 1939–1945. [S.l.]: Military Book Club. N.B.: First published 2003 by Greenhill Books, London. ISBN 0-7394-3496-9
External links
[edit]
Wikimedia Commons has media related to Aerial photography.
Look up aerial photography in Wiktionary, the free dictionary.
Aerial Photography: An Overview on YouTube, from the Smithsonian National Air and Space Museum
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About Atlantis, The Palm
Luxury hotel resort in Dubai
Atlantis, The Palm
Interactive map of the Atlantis, The Palm area
Hotel chain
Atlantis, The Palm
General information
Location
Jumeirah Palm, Dubai
Construction started
2006[1]
Opening
September 24, 2008 (2008-09-24)
Management
Kerzner International Resorts
Height
93.0 m (305.1 ft)
Technical details
Floor count
22
Design and construction
Developer
Kerzner International Resorts
Other information
Number of rooms
1,544[2]
Number of suites
Suites (Regal, Terrace, Executive)
Super Suites (Royal Bridge, Grand Atlantis, Underwater, Presidential)
Website
www.atlantis.com/dubai/atlantis-the-palm
[3][4][5]
Atlantis, The Palm is a luxury hotel resort located at the apex of the Palm Jumeirah in the United Arab Emirates. It was the first resort to be built on the island and is themed on the myth of Atlantis[6] but includes distinct Arabian elements. The resort opened on September 24, 2008 as a joint venture between Kerzner International Holdings Limited and Istithmar World.[7]
Hotel
[edit]
The 1,544 room nautically themed resort has two accommodation wings, consisting of the East and the West Tower. It is complemented by the Aquaventure water park and the Lost Chambers Aquarium, home to over 65,000 marine animals. Atlantis, The Palm is also known as the culinary destination in the region where guests can take their pick from a collection of 35 world-renowned restaurants including Bread Street Kitchen & Bar, Street Pizza, Hakkasan, Nobu, En Fuego, Seafire Steakhouse & Bar and the award-winning underwater restaurant, Ossiano.[8]
Underwater rooms
[edit]
The Poseidon and Neptune Underwater Suites at Atlantis The Palm are two of only a tiny handful of underwater hotel rooms around the world, and regularly appear in lists of the world's most unique accommodation.
Measuring 165 m2 (1,780 sq ft) in total, the upper, entrance floor is at ground level while the master bedroom and en-suite bathroom are submerged. The almost floor to ceiling windows in both the bedroom and bathroom face out on to the resort's Ambassador Lagoon, home to a multitude of exotic sea creatures.[9] The floor-to-ceiling windows includes 65,000 marine animal aquarium in Dubai and will be amazed as sharks, rays and fish glide right past your bed.[10]
Development
[edit]
Atlantis The Palm, opened on 24 September 2008 as a joint venture between Kerzner International Holdings Limited and Istithmar World. In April 2012, Istithmar World acquired Kerzner's 50-percent stake in the property for US$250 million. The property continues to be managed by Kerzner International Resorts. The conceptual design architects were Northpoint-South Africa. The architect of record was design firm Wimberly, Allison, Tong and Goo (WATG) an international firm specializing in Luxury Hotels. The principal contract for the project was awarded to Laing O'Rourke,[11] a multinational construction firm based in United Kingdom. Laing O'Rourke was responsible for the design and construction phases of the 23-story hotel and water park.
Launch
[edit]
The hotel was officially opened on 24 September 2008.[12]
Days before the opening ceremony, the hotel's grand lobby caught fire[13] and became engulfed in flames which caused concern over the hotel's opening. Work was done to repair the damage caused and the hotel opened on time.[14][15]
As part of the opening, a light show of moving images was illuminated onto the hotel. 100,000 fireworks, around seven times the amount that were used for the opening ceremony of the 2008 Beijing Olympics, were let off, lasting 15 minutes. The display of fireworks across the full 5 km (3.1 mi) stretch of The Palm lit up the entire island and Atlantis, The Palm. Custom-made shells shipped in from across the globe created a light spectacle taking off from the 716 firing locations around the island, including 400 balconies at the resort. Display creator Fireworks by Grucci claims the display set a new world record, but records curator Guinness World Records has yet to announce the status.[16] The launch party costed an estimated £15m in total, with Kylie Minogue earning £2m for a 60-minute performance for the hotel's 2,000 guests.[17][18]
Reception
[edit]
The Telegraph gave the hotel a 8/10, commending the underwater theme and facilities available.[19] A 2024 review by The Sunday Times gave the hotel a score of 9/10, complimenting the architecture and appeal to all age groups.[20]
Controversy
[edit]
In October 2007, the hotel received a shipment of 28 bottlenose dolphins from the Solomon Islands, to be used as part of their aquarium exhibit, called Dolphin Bay. The move was decried by several environmental groups, particularly for the fact that the export of dolphins had earlier been banned by the Solomon Islands government (after a similar controversial shipment to Mexico). Hotel managers have said that though the dolphins are being trained to interact with visitors, they will not appear in any sort of show or circus-like performance. They have also stated that the health of the dolphins is paramount; because the bottlenose is not an endangered species, their shipment did not pose a problem. The deal was done with the approval of the United Arab Emirates and Solomon Island governments, through the company Solomon Islands Marine Mammal Education Centre and Exporters Limited (who had overturned the earlier ban in court). The amount of money paid for the dolphins has not been disclosed.[21][22]
The hotel faced controversy in 2010 following the captivity of a whale shark, nicknamed Sammy, in an aquarium exhibit for 18 months.[23] The female juvenile was caught off a coast in Jebel Ali in August 2008 after appearing in distress.[24][25] At the time, whale sharks were listed in appendix 2 of CITES, stipulating that they can "only be held for scientific purposes provided that it does not harm the survival of the species". The captivity sparked outrage among animal rights groups and activists, including PETA and actress Pamela Anderson.[24] Gulf News launched a campaign with thousands of supporters calling for the release of the shark.[26] Atlantis would release a press release, stating:
"After several months of planning, Atlantis, The Palm in Dubai has returned a female whale shark to the waters of the Persian Gulf from where she was rescued. The Atlantis Fish Husbandry Team utilised their experience and skill to save the animal in compliance with all CITIES regulations."
Ali Bin Saqr Al Suwaidi, president and founder of the Emirates Marine Environment Group, another group involved in the campaign, confirmed the shark was set to be released.[23] Scepticism surrounding the release persisted afterwards due to a lack of images being circulated, with Steve Kaiser, vice president of Marine Science and Engineering at Atlantis, denying the claims of Sammy still being held in captivity.[25]
Gallery
[edit]
Aerial view of Atlantis The Palm and nearby artificial islands
Aerial view
Daytime exterior view
Atlantis The Palm at night
Lobby Lounge
Lobby Corridor
Hotel aquarium
Aquaventure Beach
Aquaventure Water Park
Ocean-side aerial view of Atlantis, The Palm
See also
[edit]
Hotels portal
Dubai World
Atlantis The Royal, Dubai
List of hotels in Dubai
Atlantis Paradise Island – similar looking hotel by Sol Kerzner
Atlantis Sanya
Atlantis Resorts
References
[edit]
^
Husain, Shakir (9 October 2006). "Construction of Atlantis resort project set to peak in February". Archived from the original on 7 January 2018. Retrieved 7 January 2018.
^"Hotel Rooms and Suites Atlantis The Palm Dubai". www.atlantisthepalm.com. Archived from the original on 2013-02-15. Retrieved 2013-02-13.
^"Emporis building complex ID 112406". Emporis. Archived from the original on March 7, 2016.
^"Atlantis, The Palm". SkyscraperPage.
^Atlantis, The Palm at Structurae
^http://www.atlantisthepalm.com Archived 2009-05-24 at the Wayback Machine Atlantis
^Ahmed Hussein (November 25, 2008). "Landmark project Atlantis, The Palm officially launched amidst grand ceremony". EstatesDubai. Archived from the original on 27 September 2013. Retrieved 26 March 2013.
^"Atlantis, The Palm: The Resort". Atlantis, The Palm: The Resort. Retrieved 2024-09-12.
^Underwater Hotel Rooms in Dubai
^"Underwater Suite in Dubai". Atlantis.
^"Atlantis, The Palm. Dubai. United Arab Emirates". Archived from the original on 2015-10-02. Retrieved 2021-12-23.
^CW Staff (10 June 2010). "UK giant Laing O'Rourke denies ME withdrawal". Construction Weekly. Archived from the original on 17 June 2010. Retrieved 31 March 2010.
^Cronin, Sean. "Atlantis bosses say fire-hit resort will open on time". Arabian Business.
^"Atlantis fire casts doubt on opening". gulfnews.com. 2 September 2008. Retrieved 2023-03-16.
^http://gulfnews.com/news/gulf/uae/general/atlantis-fireworks-display-seeks-place-in-guinness-book-1.17275 Archived 2014-12-27 at the Wayback Machine Atlantis fireworks display seeks place in Guinness Book of World Records
^Bhatia, Shekhar (21 November 2008). "500 chefs, 4,000 lobsters and Kylie - recession Dubai style". The Guardian. Retrieved 29 December 2020.
^"Wow! Kylie Minogue to be paid £2million for 60-minute set at Dubai hotel opening party". Evening Standard. 11 September 2008. Retrieved 29 December 2020.
^"Atlantis, The Palm Dubai, United Arab Emirates". The Telegraph. 1 April 2019. Archived from the original on 22 February 2024. Retrieved 15 December 2024.
^"Atlantis The Palm hotel review: a Dubai palace with entertainment for the whole family". The Sunday Times. 24 May 2024. Retrieved 15 December 2024.
^28 dolphins on way to Palm hotel Archived October 20, 2008, at the Wayback Machine Gulf News (16 October 2007).
^Wild dolphins adapt to indoor life Archived October 26, 2008, at the Wayback Machine Gulf News (27 October 2007).
^ ab"Sammy the whale shark freed in Dubai". Gulf News. 18 March 2010. Archived from the original on 24 November 2024. Retrieved 15 December 2024.
^ ab"Atlantis frees Sammy the whale shark". Hotelier Middle East. 21 March 2010. Retrieved 15 December 2024.
^ ab"Satellite tag reveals tale of shark Sammy in the wild". Gulf News. 15 June 2010. Retrieved 15 December 2024.
^"Sammy the Whale Shark Sent to Sea". Khaleej Times. 19 March 2010. Retrieved 15 December 2024.
External links
[edit]
Wikimedia Commons has media related to Atlantis The Palm.
We booked this as a surprise for my son's birthday and we nailed it - he loved the thrill of the helicopter ride itself, but also the spectacular views from above. The pilot was very friendly and knowledgeable. We learned so much more about Abu Dhabi than we would have ever done from walking around - and the views from above of the Mosque and of the palaces are unmatched.It is MUST experience in Abu Dhabi.
Helicopter Ride and Tours Dubai, Al Warsan Building - near Media Rotana, Ground Floor - Al Thanyah First - Barsha Heights - Dubai - United Arab Emirates
Helicopter Ride and Tours Dubai, Al Warsan Building - near Media Rotana, Ground Floor - Al Thanyah First - Barsha Heights - Dubai - United Arab Emirates
Helicopter Ride and Tours Dubai, Al Warsan Building - near Media Rotana, Ground Floor - Al Thanyah First - Barsha Heights - Dubai - United Arab Emirates
Helicopter Ride and Tours Dubai, Al Warsan Building - near Media Rotana, Ground Floor - Al Thanyah First - Barsha Heights - Dubai - United Arab Emirates
Helicopter Ride and Tours Dubai, Al Warsan Building - near Media Rotana, Ground Floor - Al Thanyah First - Barsha Heights - Dubai - United Arab Emirates
Helicopter Ride and Tours Dubai, Al Warsan Building - near Media Rotana, Ground Floor - Al Thanyah First - Barsha Heights - Dubai - United Arab Emirates
Helicopter Ride and Tours Dubai, Al Warsan Building - near Media Rotana, Ground Floor - Al Thanyah First - Barsha Heights - Dubai - United Arab Emirates
Helicopter Ride and Tours Dubai, Al Warsan Building - near Media Rotana, Ground Floor - Al Thanyah First - Barsha Heights - Dubai - United Arab Emirates
Helicopter Ride and Tours Dubai, Al Warsan Building - near Media Rotana, Ground Floor - Al Thanyah First - Barsha Heights - Dubai - United Arab Emirates
Helicopter Ride and Tours Dubai, Al Warsan Building - near Media Rotana, Ground Floor - Al Thanyah First - Barsha Heights - Dubai - United Arab Emirates
